ISBN / ISMN / UPC：

0636943807521

產品介紹

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Tracklist :

Disc 1 <br>

Franz Schubert

An Introduction to … SCHUBERT: Piano Quintet "Trout" (1819)

1.  Introduction, origins  00:01:39

2.  Imagery, analogy and the shape of the things to come; the opening flourish  00:01:50

3.  The unusual presence of the double-bass  00:00:54

4.  A palette of tone colours and the emergence of a theme  00:00:47

5.  Trouble getting off the ground, but the key is not in doubt.  00:00:49

6.  Jumping the queue: Schubert takes a lesson from Mozart.  00:01:33

7.  Mozart demonstrates a traditional transition.  00:00:33

8.  Destination clarified  00:00:07

9.  Mozart confirms our arrival.  00:00:08

10.  A Schubertian shocker from a later work  00:00:52

11.  Rejoining the 'Trout', with a reminder  00:00:27

12.  The piano joins the strings with yet a third variant of the theme.  00:00:31

13.  A rhythmic motto: the 'triplet motif'  00:01:26

14.  We get it here.  00:00:17

15.  We get it there.  00:00:17

16.  We find it everywhere, even in the double-bass.  00:00:27

17.  The strings' answer to the piano's opening flourish  00:00:36

18.  The two-part structure of the 'answering motif'...  00:00:24

19.  ...but scarcely ever the same way twice  00:00:34

20.  The piano and strings now share the material for the first time.  00:00:42

21.  Conversation as the first principle of chamber music  00:00:43

22.  Opening (introductory) section heard complete  00:01:01

23.  The violin and double-bass in partnership  00:01:16

24.  The violin and piano swap roles.  00:00:59

25.  Transition to second main theme; triplets now everywhere  00:01:12

26.  On the threshold of the new theme  00:00:30

27.  Second main theme (a 'love duet'), shared by cello and viola  00:01:24

28.  The abandonment of octaves in the piano changes the tone colour.  00:01:07

29.  A surprising change of tone and a premonition  00:00:39

30.  A return to lyricism, but the cello jumps the gun  00:00:37

31.  A buoyant, skipping new theme is given to the solo piano.  00:00:36

32.  Re-entry of the strings as the violin takes up the new theme  00:00:25

33.  A transitional theme, and another Schubertian key-jump  00:01:33

34.  We sense the imminent arrival of the closing theme.  00:01:31

35.  A sudden, hushed key-change introduces part two of the closing theme.  00:00:40

36.  The exposition comes to an end.  00:00:32

37.  Cue to complete exposition  00:00:06

38.  Music: exposition complete  00:04:09

39.  Introduction to the development; the genetic code of 'key'  00:07:20

40.  The contrasting aural properties of piano and violin  00:01:03

41.  The ponderous double-bass is featured in the first main theme  00:00:49

42.  The strings are liberated from servitude, but are a long way from home.  00:00:42

43.  A joyful conversation and a change of pace in the piano  00:01:06

44.  The piano takes the melodic lead again.  00:00:31

45.  A conversation between violin and piano leads to the exposition...  00:01:20

46.  ...but Schubert gets it 'wrong'.  00:01:35

47.  Music: first movement (complete)  00:09:09

48.  Introduction to second movement  00:01:53

49.  The violin now takes theme one.  00:00:29

50.  The piano regains the theme.  00:00:42

51.  The violin and piano round off first section with the new 'closing' theme.  00:00:35

52.  A Major change of tone: a passing cloud and a dark new key  00:01:19

53.  The piano abandons its octaves, but not its triplets, in the new 'Hungarian' theme.  00:01:28

54.  The sun returns with a new theme, in two contrasting parts.  00:01:21

55.  An evaporating dialogue between violin and piano  00:00:58

56.  A Major mood change as twilight falls  00:01:12

57.  Cue to whole movement  00:00:33

58.  Music: second movement (complete)  00:07:30

 

Disc 2 :

An Introduction to … SCHUBERT: Piano Quintet "Trout" (1819)

1.  Introduction to the Scherzo - and a clear four-bar phrase...  00:01:37

2.  ...'answered' by two two-bar phrases  00:00:21

3.  A disconcerting 'echo'  00:01:02

4.  Expectation, frustration and surprise  00:00:27

5.  The phrase length exands from nine to fourteen bars  00:00:36

6.  The beginning of the second half...  00:01:07

7.  ...or should it go from G Minor to D Major?  00:00:08

8.  Doubts are sown as the tonality becomes elusive.  00:00:48

9.  A varied reprise of part one, and the end of the Scherzo proper  00:00:33

10.  A conversational start to the Trio section  00:00:40

11.  Another Schubertian phrase extension  00:00:25

12.  Two overlapping phrases add up to a single theme.  00:00:22

13.  The piano adds a third phrase to the overlap.  00:00:32

14.  The overlaps continue as the key drifts downwads  00:00:36

15.  Another Schubertian key-jump, now to B flat  00:00:45

16.  A dramatic transformation of mood  00:00:52

17.  Awakening from a dream: the main theme's return  00:00:51

18.  Cue to complete Scherzo  00:00:11

19.  Music: third movement (complete)  00:03:52

20.  Enter the trout, at last; a meeting with the original  00:00:30

21.  Music: 'Die Forelle'  00:01:59

22.  Back to the Quintet: the strings, headed by the violin, introduce the theme.  00:01:24

23.  The first variation  00:01:41

24.  The second variation  00:01:14

25.  The third variation  00:01:20

26.  The fourth variation, part one  00:01:33

27.  The fourth variation, part two  00:00:57

28.  The fifth variation  00:02:45

29.  The final variation, part one: violin and piano alone introduce the theme  00:00:31

30.  The final variation, part two: the cello takes the tune.  00:00:25

31.  The final variation, part three: piano and violin return as a duo...  00:00:25

32.  The final variation, part four: ...as do the viola and cello.  00:00:17

33.  The final variation, part five: the entire ensemble is reunited.  00:00:39

34.  Music: fourth movement (complete)  00:07:09

35.  Introduction to the finale: Schubert as wizard of repetition  00:02:17

36.  Easily overlooked: the accompaniment from cello and double-bass  00:00:36

37.  Contrasts of timbre and register  00:00:59

38.  A repetition, and yet not a repetition  00:00:07

39.  A journey begun; the phenomenon of musical gravity  00:00:22

40.  The journey completed  00:00:16

41.  The source of musical gravity  00:00:22

42.  Music: saint-saens - The Carnival of the Animals 'The Pianists'  00:00:28

43.  A scale of shifting tensions  00:00:49

44.  Music: Beethoven, Symphony No. 1 (Finale)  00:00:37

45.  Back to Schubert  00:00:39

46.  The piano embellishes a scalewise descent.  00:00:18

47.  A retrospective moment  00:00:33

48.  Repetition more apparent then real  00:01:02

49.  A taste of phrase rhythm  00:01:26

50.  Shifting patterns of accentuation  00:00:27

51.  The section reviewed  00:00:15

52.  An increasingly sophisticated texture as parts interact  00:00:46

53.  More phrase rhythm  00:00:29

54.  A repetition from the strings...  00:00:11

55.  ...and an answer from the piano  00:00:13

56.  In transition to the secondary key  00:00:51

57.  The origin of the second theme  00:00:19

58.  The second main theme  00:00:38

59.  The closing section begins, with a question answered.  00:00:42

60.  The question repeated, a slightly differnet answer  00:00:28

61.  First theme of closing section reviewed  00:00:59

62.  Remembrance of things past  00:00:28

63.  The piano and strings argue over the harmony.  00:01:13

64.  Emergence of the final theme  00:00:24

65.  An unexpected thunderstorm  00:00:51

66.  The sound of silence  00:01:29

67.  Cue to complete Finale  00:01:00

68.  Music: Finale (Complete)  00:06:47

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