首頁»音樂書籍»流行樂器書籍 Combo Instrument Book»The Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody with CD
The Complete Jazz Guitar Method: Mastering Jazz Guitar, Chord/Melody with CD
Your guitar becomes the ultimate jazz solo instrument when you master the techniques and concepts in this book. Picking up where the harmony lessons in Intermediate Jazz Guitar leave off, topics include melody and harmony integration, bass line development, chord enhancement, quartal harmonies, and how to arrange a guitar solo. Learn to simultaneously play the harmony, melody, rhythm, and bass parts of any song! Concepts are illustrated with lots of examples to practice, including arrangements of some traditional melodies. All music is shown in standard notation and TAB, and the CD demonstrates the examples in the book.
$156.00
$93.60   
品牌:
Alfred Music
商品編號:
MBPJAMAFD002
ISBN / ISMN / UPC:
9780739009574
頁數:
64

產品介紹

Contents : 

ABOUT THE AUTHOR

INTRODUCTION

CHAPTER 1 -- RIGHT HAND OPTIONS

Pick Style

Fingerstyle Chords

Pick and Fingers Technique

CHAPTER 2 --COMBINING MELODY AND HARMONY

Lesson 1: Recognizing Chord Tones

Lesson 2: Guidelines for Arranging

Lesson 3: Chord Enhancement

Home on the Range

CHAPTER 3 -- TECHNIQUES FOR HARMONIZING NON-CHORD TONES

Lesson 1: Diads

Blue Bell of Scotland

Lesson 2: Adding the Non-Chord Tone

Beautiful Dreamer

Lesson 3: Voice Leading

Lesson 4: Passing Chords

Virginny

Blues in G

Diminished Chords

mi7 flat 5 (Half-Diminished) Chords

Blues in F

Lesson 5: Quartal Harmony

Single Notes

Octaves

CHAPTER 4 --ENHANCING CHORD PROGRESSIONS

Lesson 1: Passing-Chord Approaches

Lesson 2: The IV-I Approach

Lesson 3: The V7-I Approach

Lesson 4: The ii-V7-I Approach

Rum and Coke

Lesson 5: Backcycling Approaches

Lesson 6: Tritone Substitution Approach

Lesson 7: The Flat V7-I Approach

Lesson 8: The ii-V7-I and Alternate Cycles

Lesson 9: Surprise Chords

CHAPTER 5 -- SIMULTANEOUS CHORDS AND WALKING BASS LINES

Lesson 1: The Basic Voicings

Lesson 2: Bass Lines---Scalewise Approach

Lesson 3: Bass Lines---Half-Step Approaches

Lesson 4: Bass Lines---Rhythm

Lesson 5: Bass Lines ii-V7-I Patterns

Everything You're Not

Lesson 6: Bass Lines---Combining Techniques

Accompaniment for Everything You're Not

CHAPTER 6 -- SEARCHING OUT NEW VOICINGS

Lesson 1: Moving Voices

Lesson 2: Symmetrical Chord Movement

Coda 1---A Medley of Suggestions and Musical Concepts for Chord-Melody Playing

Creating Arrangements

Listening to the Greats

Reality Check

Byesville

CHAPTER 7 -- IMPROVISING OVER ALTERED DOMINANT CHORDS

Lesson 1: The Diminished Scale

Train

Lesson 2: The Whole Tone Scale

Once

Lesson 3: The Super Locrian Mode (Diminished Whole Tone Scale)

Moon

Lesson 4: Using the Altered Scale Over a ii-V7-I Progression

Lesson 5: Targeting the Altered Chords---The Altered Clusters

Lesson 6: Revamping Licks

CHAPTER 8 -- THE MINOR SCALES AND THEIR MODES

Lesson 1: The Melodic Minor Scale

Lesson 2: The Modes of the Melodic Minor Scale

Lesson 3: Arpeggios in the Melodic Minor Scale

Lesson 4: The Harmonic Minor Scale

Lesson 5: The Modes of the Harmonic Minor Scale

Lesson 6: Arpeggios in the Harmonic Minor Scale

Lesson 7: The ii mi7 Flat 5-V7 Flat 9-i mi7 Progression

CHAPTER 9 -- USING ARPEGGIOS

Lesson 1: Chord Superimposition

Lesson 2: Melodic Patterns Based Around Arpeggios

Lesson 3: Melodic Patterns Based Around Chord Shapes

CHAPTER 10 -- EIGHT-TONE SCALES

The Eight-Tone ii-V7 Scale

The Eight-Tone I Scale

CHAPTER 11 -- CONNECTING YOUR IDEAS

Lesson 1: The Chromatic Connection

Lesson 2: Accentuating the Difference Between Keys

Lesson 3: Repeating an Idea in Different Octaves

Lesson 4: Rhythmic Motives

Lesson 5: Melodic Connection

Lesson 6: Diatonic Connection

Coda 2---A Medley of Suggestions and Musical Concepts for Improvisation

Playing on the Extensions Using Advanced Pentatonics

Playing on the Extensions Using Tones from 13 Chords

Playing with Wider Intervals

Octave Displacement

Symmetrical Motives

Conclusion

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